Ha! For YOUR role, I would think going to prisons and watching them, and even talking to them if possible would give you insight to their ways, their thinking, etc. (Do they act when around people)? How do they get prepared for their actions? Do they sweat beforehand? Are they happier in life when about to commit their crimes? Once knowing and seeing how some are, it would be easier to then act like them, in speaking tones and all else. Maybe you would pick up on how their eyes change when talking about killing. Then, you would have done the same in the moments of the acted out killings.

My first play goal is not for local though. The one in mind is for a Casino/Broadway bound one, for which I have provided music for, along with Mike Caro being in it from the start, (for him, the first 6 songs on). I came in on the 7th song through the 13th. Since I can relate to the music and songs,,,I might be able to relate to one of the characters, or learn about him, at least.

The only thing "I know" at any given time, is that once I put my mind to something, I consider it done, with just all the steps needing to be played out, (whether quickly or not), with relentless passion. I hope to gain some insight to Method Acting here, from anyone who has done it. I don't want to make it's basic mistakes in assuming anything about that method if showing up for an audition. (Like, how far does one take it, before going up, while talking to others while waiting)? Would I just hang out by myself? Or, mingle and get out of character, or stay in it? I don't have acting chops, obviously. So, I would need to depend on raw method acting.

Thanks