|
10 members (Gary E. Andrews, bennash, Kay-lynn Carew, Bill Draper, KyleCrawford, Guy E. Trepanier, Everett Adams, Michael W. Brown, 2 invisible),
11,170
guests, and
6,816
robots. |
|
Key:
Admin,
Global Mod,
Mod
|
|
Welcome to the Just Plain Folks forums! You are currently viewing our forums as a Guest which gives you limited access to most of our discussions and to other features.
By joining our free community you will have access to post and respond to topics, communicate privately with our users (PM), respond to polls, upload content, and access many other features. Registration is fast, simple, and absolutely free; so please join our community today!
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Bayside
by Gary E. Andrews - 09/16/26 01:51 AM
|
|
|
|
|
|
|
|
|
|
|
Diverge
by Michael W. Brown - 09/14/26 03:50 PM
|
|
|
|
|
Pictures
by CTthomas - 09/13/26 07:10 PM
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Joined: Jun 2002
Posts: 1,316
Top 200 Poster
|
Top 200 Poster
Joined: Jun 2002
Posts: 1,316 |
Hi Kevin,
This is a good observation. Some of what you are asking is built into the discussions of song structure in songwriting books. People are right, Study songs you like. How do the melodies change from the verses to the chorus? The analogy of how God creates a human, or, how a human is formed (for those who don't believe in God), is a good one. Early in the development of the fetus, the heart is one of the first noticeable parts. Consider the heart of your song, the melody. Your melody on those verse chords will tell you what the chords should be for the chorus. What is the melody that you have put to the verses? Does it stay low? Are the intervals of the notes close together? To make the chorus stand out, move to a higher note, lifting it from the verses. That is the most common change. You can also make the chorus go down, less common. It's fine to start a song from a riff, chord progression, but at some point, you must work on a melody.
You can also change rhythm or how the words sit on the music. If the verse is wordy then make your chorus elongated using shorter words.
If you work on the melody in these ways, consciously changing the melody for the chorus will tell you what chords to use.
Another way to evaluate your chords is by your lyrics. Are your lyrics sad/happy/angry? Is there a particular phrase that calls for an Am in the key of C?
A book I am just starting to go through is "Melody, How To Write Great Tunes" by Rikky Rooksby. I have barely scratched the surface but what I have read is well written and it comes with a cd to listen to the examples in the book.
Have fun,
Vondelle
|
|
|
|
We would like to keep the membership in Just Plain Folks FREE! Your donation helps support the many programs we offer including Road Trips and the Music Awards.
|
|
|
Forums118
Topics128,992
Posts1,185,546
Members21,480
| |
Most Online236,505 Jul 1st, 2026
|
|
|
"If you are stuck in your musical composing, be unreasonable. Change your environment. If you are stuck in your lyrical efforts, instead of forcing the same old words out, force yourself to do unreasonable things." -Brian Austin Whitney
|
|
|
|