Yes someone else did see it, but whatever you put in the bass it will change the overal effect a little or a lot.


Play a D major against a B bass
or a C over a D bass and listen to the options that you will find in creating new melodies.

It's what Pro writers do all the time and it's known as Bass Inversions.

Dont believe every thing shown in books i have found many example where they are wrong.

Substitution By Function, I mentioned that ten years ago on this or another board Know one had a clue what it was about.

All pro writers of any distinction use that method.

Read the books by Jack Perricone and Jai Josefs.


Have been working at E.M.I. Hayes U.K. in many departments starting as Tea Boy and worked through to A and R, New Artist Management,
Co Writing , with Boy Bands, and some solo acts
I have always played in bands,

SPLIT LEVEL
psuedonymn of course to many thieves and robbers on the web these days