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10 members (CTthomas, texritter, Michael W. Brown, KyleCrawford, Gary E. Andrews, Mackie H., bennash, Sunset Poet, 2 invisible),
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Welcome to the Just Plain Folks forums! You are currently viewing our forums as a Guest which gives you limited access to most of our discussions and to other features.
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RY X
by Gary E. Andrews - 09/21/26 04:03 PM
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Soft Loft
by Gary E. Andrews - 09/21/26 11:52 AM
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8Graves
by Gary E. Andrews - 09/20/26 06:05 PM
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Saosin
by Gary E. Andrews - 09/20/26 02:43 PM
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Joined: Nov 2006
Posts: 457
Top 500 Poster
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OP
Top 500 Poster
Joined: Nov 2006
Posts: 457 |
I'm just curious what color conventions people follow in their recording. There is no "official" color scheme for waveforms and tracks I know of. I'll share mine, although I play around with it. I usually assign a hue to an instrument group -- guitar, for example, is red. Then bass guitar will be a dark red, and a harmony or secondary guitar will be lighter red or pink. The main vocal is royal blue, and harmonies are light blue. Drums have been yellow, but that doesn't seem right somehow. Keys are green.
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Joined: Nov 2006
Posts: 8,463
Top 20 Poster
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Top 20 Poster
Joined: Nov 2006
Posts: 8,463 |
I have often wondered if their was a universally accepted coding. I think most folk use their own colour scheme to easily identify diff types of tracks with a colour. I remember in the days of old midi files pro produced midis always adopted the same colours for each instrument group. Interesting topic would love to hear other views. It has been scientifically proved that we can identify things better with pictures colours or symbols than with words.
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Joined: Nov 2006
Posts: 457
Top 500 Poster
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OP
Top 500 Poster
Joined: Nov 2006
Posts: 457 |
I sort of identify colors with certain instruments or sounds, but there are artists who really do. They make engineers crazy by asking for more purple in the sound and things like that. On the other hand, Geoff Emerick is among those who says he sees sounds in colors.
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Joined: Nov 2002
Posts: 1,265
Serious Contributor
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Serious Contributor
Joined: Nov 2002
Posts: 1,265 |
If I'm doing something with a lot of tracks I will color code.
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Joined: Sep 2004
Posts: 1,608
Top 200 Poster
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Top 200 Poster
Joined: Sep 2004
Posts: 1,608 |
I use the colors that are easy on the eyes. After 30 yrs in QC I tend to reserve red for problem areas, yellow for caution or questionable and greens and blues for the good stuff.
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"If you are stuck in your musical composing, be unreasonable. Change your environment. If you are stuck in your lyrical efforts, instead of forcing the same old words out, force yourself to do unreasonable things." -Brian Austin Whitney
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