There probably isn't a commercially recorded song that doesnt have some doubled vocals going on in it.

Being a perfectionist, I find this very tedius and painstaking.

I find that in passages that rely on a vocal with no vibrato, I have an easier time with it, but I have vibrato in my voice, and the vocal gets boring without it.

But to get a really close match of the original take, I find it difficult to do so when singing vibrato because the vibrato tends to just come out different each time, alebit, very subtle differences, but sometimes that one phrase that comes out is THE take, and to try and double it could take all day if it happens at all.

Kind of like catching lightning in the bottle and then trying to catch it again 5 minutes later

Sometimes the spontaneous vocal is the best one, so how do u double spontaneity?

Any others have this problem?

it's not about singing technique

Last edited by Bugsey; 07/09/13 02:46 AM.