Travis, this sounds too intimate for the Singer-Character to be telling the audience about 'her'.
I think he should be talking directly to her. And for that reason it should be more present tense, instead of past tense.


"THIS COLD WINTER'S NIGHT"
Verse I
The garden's blanket glitters silver and white
Jack Frost's dance, is captured in moonlight.
With our arms wound around each other so tight
we shiver, but how we laugh, on This Cold Winter's Night.
Verse II
We draw the curtains soon as we close the door (The pronoun 'we' is the 'actors' to do the 'action' of the verb.)
firewood crackles, demanding I put on some more
Warmed up, I rub your frozen fingers that have turned white
I'm lost in, your deep brown eyes, on This Cold Winter's Night

Bridge
my love for you overpowers me
We sit here drinking mulled wine
It's not just a dream
You're really mine

MUSIC (I've seen this notated as "Instrumental Interlude". I think it serves the function of a Bridge, an Instrumental Bridge.)

Verse III
I'm so happy for this love that we've found
treading carefully for our second time around
As the last embers die, it's approaching daylight
there's no one in this world I'd rather spend- This Cold Winter's Night
.

OUTRO (The final Musical Movement of a composition can be designated as a 'Coda'. There's actually not a word like 'Introduction' reduced to INTRO, like outroduction, and OUTRO.)

Love for you so strong, now so impossible to deny
on This Cold Winter's Night.
This Cold Winter's Night.
This Cold Winter's Night.

There will always be another song to be written. Someone will write it. Why not you? www.garyeandrews.com