|
5 members (texritter, Gary E. Andrews, Guy E. Trepanier, Andy K, Michael W. Brown),
187,331
guests, and
6,089
robots. |
|
Key:
Admin,
Global Mod,
Mod
|
|
Welcome to the Just Plain Folks forums! You are currently viewing our forums as a Guest which gives you limited access to most of our discussions and to other features.
By joining our free community you will have access to post and respond to topics, communicate privately with our users (PM), respond to polls, upload content, and access many other features. Registration is fast, simple, and absolutely free; so please join our community today!
|
|
|
|
|
|
|
|
Lot Long
by Gary E. Andrews - 11/10/26 11:20 AM
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Joined: Apr 2009
Posts: 54
Serious Contributor
|
Serious Contributor
Joined: Apr 2009
Posts: 54 |
I believe A natural is the top line of the bass cleff and D natural the 3rd line of the treble cleff thats not to bad a jump it would be the A string open and the B string on the third fret the note that Steven Stills hits on that high part in Suite Judy Blue Eyes is a whole octive above that (D6) now thats a stretch. I believe this is part of the mathmatics of music theory. It sipmplifies things like the Nasheville System. It is easy to confuse the note D5 for the chord D5 which is a root note in the base a fifth above and an octive above the root leaving out the 3rd. Rockers call that the power chord.
|
|
|
|
We would like to keep the membership in Just Plain Folks FREE! Your donation helps support the many programs we offer including Road Trips and the Music Awards.
|
|
|
Forums118
Topics129,177
Posts1,186,195
Members21,480
| |
Most Online236,505 Jul 1st, 2026
|
|
|
"Do not endeavor to be the smartest kid in a dumb class. Instead, you are better off being the dumbest kid in the smartest class, where you will be challenged and you will learn. If you aren't growing, you are dying." -Brian Austin Whitney
|
|
|
There are no members with birthdays on this day. |
|
|
|