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TV Drama
by Bill Draper - 09/18/26 02:22 PM
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Syd
by Gary E. Andrews - 09/17/26 09:40 PM
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Lagoons
by Gary E. Andrews - 09/17/26 01:34 AM
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Söndörgő
by Gary E. Andrews - 09/17/26 12:01 AM
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Bayside
by Gary E. Andrews - 09/16/26 01:51 AM
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Diverge
by Michael W. Brown - 09/14/26 03:50 PM
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Joined: Feb 2001
Posts: 2,448
Top 200 Poster
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Top 200 Poster
Joined: Feb 2001
Posts: 2,448 |
Jim, this thread started with: "never gotten that major cut that so many of us crave. I've asked myself, "why" many times and figured I must be doing something "not quite right"." then you wrote "I cannot believe that someone printed such BULL." songwriting is art not paint by numbers but if a songwriter is hoping to get cuts with major label artists they have to do things that increase the odds of it happening So why would any musician want to write to such a formula? Who says that collabs are the way forward? read the songwriting credits in billboard, remove all the songs written by the artist alone. I'm saying if you want to increase your odds of a cut, cowrite with artists, producers and writers who've gotten cuts. Pop is pretty much dominated by production teams where the writing team produces the artist. we should write what ever we want to write we should all write from inspiration but we also follow formula's, guideline and structures Music is art writing songs that gets cut is just creating art that many fans want to buy yes men don't join staff teams or collab with them people with proven skills or artists with potential do People should write as often as they can... venture outside their comfort zones
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"If you are stuck in your musical composing, be unreasonable. Change your environment. If you are stuck in your lyrical efforts, instead of forcing the same old words out, force yourself to do unreasonable things." -Brian Austin Whitney
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