Hi again

We might as well look at something interesting so we can see the connections I'm talking about as far as arrangements.

Here is the BIG hit "After The Lovin" by Englebert

So I sing you to sleep
After the lovin'
With a song I just wrote yesterday
And I hope you can hear
What the words and the music have to say.

It's so hard to explain
Everything that I'm feelin'
Face to face I just seem to go dry.
But I love you so much
That the sound of your voice can get me high.

Thanks for takin' me
On a one way trip to the sun.
And thanks for turnin' me
Into someone.

So I sing you to sleep
After the lovin'
I brush back the hair from your eyes.
And the love on your face
Is so real that it makes me want to cry.

And I know that my song
Isn't sayin' anything new.
Oh, but after the lovin'
I'm still in love with you.

So I sing you to sleep
After the lovin'
I brush back the hair from your eyes.
And the love on your face
Is so real that it makes me want to cry.

And I know that my song
Isn't sayin' anything new.
Oh, but after the lovin'
I'm still in love with you.

Yes, after the lovin'
I'm still in love with you.

Hmmm, after the lovin'
I'm still in love with you.

This song reminds me a little of what we have happening



The section where he sings - "Thanks for taking me on a one way trip to the
sun"


Sounds and feels like a bridge to me not a chorus.. heck it never gets repeated in the whole song so how is it the chorus?
The After The Lovin hook line is the thing repeated through out the song...
And that great melody hook and lyric of
"And I know That my song isn't saying anything new"

Lynn that's the hook you have at the end of your verses, same effect.

Maybe we need to have the lyric be the same at the end of every verse section.. instead of the minor switches...


Thanks!
Peace Mike
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